High Def Disc News


“Things start out with the original music by Haim Mazar getting a really good amount of rear channel use and decent amount of LFE (bass) presence… 30 minutes in the music starts back up, at first subtle, and sets the mood of the film perfectly. The music eventually gets more intense around the halfway mark and is back delivering a really good amount of rear channel presence with a decent amount of LFE. All and all this delivers a solid presentation in terms of sound and does both the film and original music justice.”

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