Haim Mazar | Official Website

“It’s one of the many levels that this darkly mesmerizing score hits, more than proving that newcomer Mazar deserves to be a Hollywood made man…”

filmmusicmag

“Another invaluable contribution is Haim Mazar’s score, which molds a sense of unpredictable violence and dread without drawing undue attention to itself…”

hollywood-reporter

Haim MazarHaim Mazar, a Hollywood-based film composer, is a Summa Cum Laude graduate from Berklee College of Music. He has worked as a session musician, music producer, and arranger before relocating to Los Angeles to pursue his passion for film scoring. Haim is best known for his critically acclaimed score for “The Iceman,” a biopic thriller starring Michael Shannon, Winona Ryder, Ray Liotta, James Franco, and Chris Evans. The film was an official selection of the Toronto International Film Festival, Venice International Film Festival, and the Telluride Film Festival.

The past year has been prolific and eclectic, as Haim scored legendary director Chuck Russell’s (“The Mask,” “Eraser,” “Nightmare on Elm Street 3”) new action thriller “I Am Wrath,” starring John Travolta, Christopher Meloni, and Rebecca De Mornay; as well as the Bryan Singer-produced critically acclaimed horror hit “The Taking of Deborah Logan.” Haim also provided the West African-infused score for Jonathan Stein’s “Out of the Village,” starring Abraham Attah (“Beasts of No Nation”). Haim’s versatility shines through his diverse range of projects. Earlier this year he composed the main title theme and score for the hit reality show “Chrisley Knows Best,” and MTV’s “Teen Mom.” Haim is also a regular collaborator with composer/singer-songwriter Gabriel Mann (“Modern Family,” “Rectify”), with whom he scored two animated films for Mattel – “Barbie: Spy Squad” and “Team Hot Wheels,” both to be released by Universal Studios Home Entertainment in 2016.

Since his arrival to Los Angeles in 2008, Haim also composed the score for “On The Inside” – starring Olivia Wilde and Nick Stahl. He co-produced and orchestrated the scores for Sony Screen Gem’s films “Legion,” and “The Roommate.” In addition to his film scoring work, Haim is a sought after professor at the prestigious Musicians’ Institute in Hollywood, where he enjoys teaching composition and orchestration.

Variety

“Haim Mazar’s moody score and the period-evocative soundtrack/design choices to the script’s near total absence of self-consciously colorful mobster talk, the Louisiana-shot production exudes control and discipline at every level.”

Read the full article at variety.com

The Hollywood Reporter

“Another invaluable contribution is Haim Mazar’s score, which molds a sense of unpredictable violence and dread without drawing undue attention to itself.”

Read the full article at hollywoodreporter.com

Film Music Reporter

“Relativity Music Group will release a soundtrack album for the crime thriller The Iceman. The album features the film’s original score composed by Haim Mazar.”

Read the full article at filmmusicreporter.com

FilmMusicMagazine

“It’s one of the many levels that this darkly mesmerizing score hits, more than proving that newcomer Mazar deserves to be a Hollywood made man.”

Read the full article at filmmusicmag.com

highdefdiscnews

“Things start out with the original music by Haim Mazar getting a really good amount of rear channel use and decent amount of LFE (bass) presence… 30 minutes in the music starts back up, at first subtle, and sets the mood of the film perfectly. The music eventually gets more intense around the halfway mark and is back delivering a really good amount of rear channel presence with a decent amount of LFE. All and all this delivers a solid presentation in terms of sound and does both the film and original music justice.”

Read the full article at highdefdiscnews.com

dvd-verdict

“The True HD 5.1 Surround mix handles the film’s dialogue with ease, and composer Haim Mazar’s score is well balanced.”

Read the full article at dvdverdict.com

dvd-talk

“Alot of On The Inside’s momentum is fueled directly by Haim Mazar’s heavy musical propulsion, which the HD audio track presents loud, dominant, and extremely well-balanced across the full sprawl of the sound-stage.”

Read the full article at dvdtalk.com

moviesharkdebiore

“Icing on the cake is Haim Mazar’s score punctuated with Top 40 hits of the era.”

Read the full article at moviesharkdeblore.com

kdhx

“This intriguing, disturbing film boasts a superb and sly sound design by Haim Mazar. The almost subconscious effect by Mazar showcases the contribution of sound when used brilliantly.”

Read the full article at kdhx.org

the-iceman-review

“It’s an intersting score, and Mazar is definitely a composer to watch, with a solid voice and the ability to blend orchestral and electronic elements thematically. An impressive work.”

Spoiler Alert Radio
Listen to the radio interview with Spoiler Alert Radio

Anobium

“Haim Mazar Finds His Way Trough The Iceman” – an interview with Garrett Tiedemann.

Read the full interview at anobiumlit.com

Haim Mazar - Haaretz
Read the full article at hareetz.com

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Keith C. Anderson (818) 324 - 9850
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